Famous Shred Metal Guitarists/Guitar Players

Shred guitar or shred refers to lead electric guitar playing that relies heavily on fast passages; the act of playing fast passages on an electric guitar is termed ‘shredding’. While one critic argues that shred guitar is associated with "... sweep-picked arpeggios, diminished and harmonic minor scales, finger-tapping and ...whammy-bar abuse" several guitar writers argue that rather than being a musical definition, it is a fairly subjective cultural term used by guitarists and enthusiasts of guitar music. It is usually used with reference to hard rock and heavy metal guitar playing, where it is associated with rapid tapping solos and special effects such as whammy bar ‘dive-bombs’. The term is sometimes used with reference to playing outside this idiom, particularly country, jazz fusion, blues and some modern variants of bluegrass.

Dave Celentano's book Secrets of Shred Guitar argues that "...the secrets of shred", include "sweep, alternate and tremolo picking; string skipping; multi-finger tapping; legato, [and] trills." The instructional book Guitar Shred includes exercises on "...Speed Building, Legato, Tapping, [and] Sweep Picking." The GuitarPlayer.com reviewer of the book Shred! claims that the book covers the "...techniques shredders need to know—sweep picking, tapping, legato playing, whammy bar abuse, speed riffing, [and] thrash chording" Shred guitarists also use two- or three-octave scale or mode, played ascending and descending at a fast tempo. This run or lick can be played by individually picking all, or a selection, of the notes, using techniques such as alternate picking, or economy picking. Alternatively, the lick can be played by multiple-picking notes (tremolo picking), or picking just the first or second note of a string followed by a rapid succession of hammer-ons and/or pull-offs (legato).

Sweep picking is used to play extremely rapid arpeggios across the fretboard (sometimes on all strings). The tapping technique is used to play rapid flourishes of notes or to play arpeggios or scalar patterns using pure legato with no picking. Various techniques are used to perform passages with wide intervals, and to create a flowing legato sound. Some performers make complex combinations of tapping and sweep picking.


Guitarist(s):
Chris Broderick
Chris Impellitteri
James Murphy
Jason Becker
Jeff Loomis
Joe Stump
John 5
John Petrucci
Marty Friedman
Michael Angelo Batio
Michael Romeo
Nuno Bettencourt
Paul Gilbert
Rusty Cooley
Tony MacAlpine
Vinnie Moore
Yngwie Malmsteen

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